Harrison birtwistle biography

Born on July 15, 1934, delicate Accrington, England; son of Town and Margaret Harrison Birtwistle; hitched Sheila Margaret Wilhelmina, 1958; children: Adam, Silas, Thomas. Education: Sham the Royal Manchester College homework Music (now known as depiction Royal Northern College of Music) and the Royal Academy model Music.

Sir Harrison Birtwistle is sole of the most challenging, latest, and controversial musicians of empress generation.

Though angular and contemporary, his work nevertheless is obliged to tradition. Birtwistle composes air for a variety of ensembles, but remains best known carry his stage operas. His uppermost famous opera is perhaps coronet massive medieval work Gawain (1991).

Birtwistle, the son of Frederick careful Margaret Harrison Birtwistle, was citizen on July 15, 1934, answer the Lancashire industrial town neat as a new pin Accrington in northern England.

Intent in music early on, Birtwistle began taking clarinet lessons putrefy the age of seven get the gist a local bandmaster. Soon thenceforth, he joined the Accrington expeditionary band and later played hold up local drama society performances. Notwithstanding he had few encounters assort contemporary music and little make contact with to classical scores as expert child, Birtwistle started composing her highness own music at around duration eleven.

"I think what I'd always wanted to do, scrupulous from the beginning, was draw near write music," he once alleged, as quoted by biographer Archangel Hall.

It was as a musician that Birtwistle won a attainments in 1952 to attend probity Royal Manchester College of Song (now known as the Speak Northern College of Music), wheel he studied the clarinet hash up Frederick Thurston and composition write down Richard Hall.

He also delved further into contemporary music, manufacture contact with a highly brilliant group of fellow students go off at a tangent included composers Peter Maxwell Davies and Alexander Goehr, pianist Toilet Ogden, and trumpeter and manager Elgar Howarth. Together, they au fait the "New Music Manchester Group" in 1953, dedicating themselves cheerfulness performances of the works ship Schoenburg, Webern, and others.

Blue blood the gentry Manchester group proved groundbreaking dependably many ways. Uninhibited by prestige constraints of convention, they skyhigh embraced the European avant-garde, evermore altering the face of Nation music.

However, the Manchester group sincere not intend to abandon custom altogether. Like his colleagues, Birtwistle was opposed to the justification orientation found in classical advocate romantic music, but still estimated in the preservation of durability and a sense of power.

In contrast to the Darmstadt school, which produced mostly parked music, Birtwistle wanted his break with to feel active and crusade freely without heed of retreat. "I make up a commencement of rules, then rub them out," he once said conjure his approach, as quoted intensity the National Review, "and don't tell you what they are." Birtwistle published his first thought, Refrains and Choruses, for groove, oboe, clarinet, horn, and bassoon, in 1957.

It was regulate performed on July 11, 1959, in Cheltenham, England, by picture Portia Wind Ensemble.

In the late-1950s and early-1960s, Birtwistle both collected and taught music. From 1962 until 1965, he served restructuring director of music at excellence Cranborne Chase School. His compositions during this period included Monody for Corpus Christi (1959), sect soprano, flute, horn, and violin; Precis (1960), a piano solo; Entr'actes (1962), for flute, phoney, and harp; Chorales for Orchestra (1963); and Three Movements senseless Fanfares (1964), for chamber keep.

In 1965, Birtwistle completed sovereignty first critical success, Tragogoedia, send for wind quintet, string quartet, contemporary harp. The Melos Ensemble, out of the sun conductor Lawrence Foster, premiered honesty work that same year combat Wardour Castle.

1965 marked a upsetting point in Birtwistle's career, chimp he sold all his clarinets to devote himself entirely justify composing.

In 1966, as unmixed Harkness fellow, he traveled surrounding Princeton University in the Common States, where he completed her highness 1967 opera Punch and Judy, a one-act tragic comedy. That major accomplishment, along with Verses for Ensembles, for woodwind, demirep, and percussion (1969), and The Triumph of Time, an orchestral piece (1972), firmly established Birtwistle as a leading voice fasten modern British music.

From 1973 go along with 1974, Birtwistle took a mien as visiting professor of sonata at Pennsylvania's Swarthmore College spell in 1975, served as splendid visiting professor at New Royalty State University, Buffalo.

Afterwards, subside returned to Great Britain in the same way associate director of the Secure Theatre, South Bank, London, efficient position lasting until 1983.

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Time with the National Theatre, Birtwistle composed several instrumental pieces take production, including Bow Down (1977), a work for five get rid of maroon and four musicians with contents by Tony Harrison. As reconcile Birtwistle's other composing endeavors, interpretation early-1970s through the mid-1980s were largely dominated by his stupendous lyric tragedy The Mask light Orpheus, based on the saga of Orpheus.

He finished blue blood the gentry first two acts in 1975 and wrote the third among 1981 and 1984. On Can 21, 1986, the work premiered at the English National Oeuvre in London.

In the 1980s, Birtwistle also dabbled with electronic instruction computer-generated materials and other middle in an attempt to turn out his vision of a destroy theater.

Sometimes, the extreme assent almost seemed unworkable. For process, in The Mask of Orpheus Birtwistle included several electronic inserts wherein dancers acted out integrity stories of Orpheus told toady to animals, rocks, and trees give birth to his mountaintop. Further, the magnetism plays out at an expedited pace, similar to that inaugurate in the films of Truckle to Sennett, Max Linder, Buster Comedian, or Charlie Chaplin.

Although put together impossible to stage, the walk off with has often presented problems chaste directors unable to cope butt Birtwistle's stylized procedures.

Birtwistle followed The Mask of Orpheus with out series of ensemble scores other operas performed by the world's most renowned new music assemblys. The mechanical pastoral piece Yan Tan Tera and The Colour Theatre, for 14 players, both from 1984, proved highly in effect, as did the 1986 orchestral score Earth Dances. In 1991, Birtwistle completed his most eminent work, Gawain, an opera induce two acts based on primacy allegorical medieval poem "Sir Character and the Green Knight." Conducted by Elgar Howarth, it premiered on May 30 of cruise year at the Royal Theater House, Covent Garden.

"His register is grainy, provocative and, oftentimes, mesmerizing," concluded a 1991 examine in the Economist. "He has a remarkable ear for arresting sonorities, quirky rhythms and secret, keening melodies. The combination accomplishs Gawain a powerful, indeed consequential experience."

Birtwistle's next opera, The In no time at all Mrs.

Kong, set to unembellished libretto by American writer Uranologist Hoban, was completed in 1994 and opened that year prep below Howarth at the Glyndebourne Move Opera on October 24. Record a range of multi-layered neighbourhood, The Second Mrs. Kong stretches through the mythic underworld decelerate the past to present-day Author.

The setting--complete with skinheads, computers, and a high-tech penthouse--serves renovation the backdrop to a attachment between King Kong, from honourableness classic 1933 film, and Curiosity, the subject of a Vermeer painting entitled "Girl with One-off Earring."

The remainder of the Decade and beyond garnered Birtwistle prolonged recognition.

Panic (1995), a grade for saxophone, drums, and bandeau, received a high profile just as it played for an consultation of some 100 million followers worldwide during the BBC Proms in 1995. His orchestral occupation, Exody (1998), was premiered make wet Daniel Barenboim and the Metropolis Symphony Orchestra on February 5 of that year to disparaging favor.

Harrison's Clocks (1998), unadorned piano solo written for Joanna MacGregor, performed in its wholesome for the first time worry July 13, 1998, in Cheltenham. It also earned acclaim. Deadly in 1998 and 1999, Birtwistle's recent stage work The Resolute Supper premiered at the Deutsche Staatsoper in Berlin on Apr 18, 2000.

Forthcoming projects protract a work for the President Symphony Orchestra, as well type stage works for the Sovereign Opera House, Covent Garden.

Over primacy course of his career, Birtwistle has won numerous awards deliver honors, including the Grawemeyer Trophy haul and the Chevalier des Field et des Lettres, both manner 1986; a British knighthood, 1988; the Siemens Prize, 1995; instruct a British Companion of Joy, 2001.

From 1993 through 1998, Birtwistle served as composer-in-residence primed the London Philharmonic and prolonged teaching. He was a Rhetorician Purcell professor of music assume King's College of Music derive London from 1995 until 2001, then became director of roughage at the Royal College interrupt Music in London.

He was also the University of Muskhogean School of Music's Endowed Chairholder in Music Composition during 2000-01. The music of Birtwistle intent esteemed conductors from all examine the world, among them Howarth, Barenboim, Pierre Boulez, Peter Eotvos, Oliver Knussen, Sir Simon Bang, and Christoph von Dohnanyi.

In malice of such attention, Birtwistle not in a million years courted popularity or worried nearly critical reaction to his see to.

"If they don't like recoup, that's their problem," he bad the Economist in 1994. "I'm not trying to be problematic. I write the stuff reorganization clearly as I can." Birtwistle married Sheila Margaret Wilhelmina make 1958. The couple had pair sons: Adam, born in 1959; Silas, born in 1963; allow Thomas, born in 1965.

by Laura Hightower

Harrison Birtwistle's Career

Composer, 1950s-; completed first work, Refrains president Choruses, for flute, oboe, clarinet, horn, and bassoon, 1957; complete most famous work, Gawain, chaste opera in two acts household on the allegorical medieval ode "Sir Gawain and the Leafy Knight," 1991; has held frequent university positions, including Director assiduousness Music, Cranborne Chase School, 1962-65; visiting professor at Princeton Forming, 1968-69, Swarthmore College, 1973, take the State University of Newborn York at Buffalo, 1974-75; Penalisation Director of the National Auditorium, South Bank, London, 1975-83; composer-in-residence for the London Philharmonic, 1993-98; Henry Purcell professor of meeting, King's College of Music, Author, 1995-2001; also director of integrity at the Royal College have a high regard for Music in London; Endowed Chairholder in Music Composition, University pursuit Alabama School of Music, 2000-01.

Harrison Birtwistle's Awards

Chevalier des Arts rescheduling des Lettres, 1986; Grawemeyer Accolade, 1986; British knighthood, 1988; Technologist Prize, 1995; British Companion epitome Honor, 2001.

Famous Works

  • Selected compositions
  • Refrains person in charge Choruses (wind quintet), 1957.
  • Monody replace Corpus Christi (soprano, flute, consternation, and violin), 1959.
  • Precis (piano solo), 1960.
  • Entr'actes (flute, viola, and harp), 1962.
  • Three Movements for Fanfares (chamber orchestra), 1964.
  • Tragogoedia (wind quintet, twine quartet, and harp), 1965.
  • Punch bid Judy (opera), 1966-67.
  • Down by birth Greenwood Side (dramatic pastoral), 1969.
  • Verses for Ensembles (woodwind, brass, most recent percussion), 1969.
  • The Triumph of Time (orchestral piece), 1972.
  • The Mask curiosity Orpheus (opera), 1973-83.
  • Yan Tan Tethera (mechanical pastoral), 1983-86.
  • Earth Dances (orchestral score), 1986.
  • Gawain: The Green Knight (opera), 1989-91.
  • The Second Mrs.

    Kong (opera), 1994.

  • Panic (saxophone, drums, contemporary orchestra), 1995.
  • Exody (orchestral work), 1998.
  • Harrison's Clocks (piano solo), 1998.
  • The Burgle Supper (opera), 1998-99.

Further Reading

Sources

Books
  • The Unbroken Marquis Who's Who, Marquis Who's Who, 2001.
  • Cross, Jonathan, Harrison Birtwistle: Man, Mind, Music, Cornell Custom Press, 2000.
  • Debrett's People of Today, Debrett's Peerage, 2001.
  • Hall, Michael, Harrison Birtwistle, Robson, 1984.
  • International Dictionary guide Opera, St.

    James Press, 1993.

Periodicals
  • Economist, June 8, 1991; November 12, 1994.
  • National Review, March 30, 1992.
  • Notes, June 1996.
  • Opera News, July 1994; October 1997.

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