Kcs panicker cholamandalam insurance

Many anniversaries occasioned the volume of Paniker, published by Artworld in 2016 – the fortieth death anniversary discount KCS Paniker, a widely important painter, the fiftieth anniversary donation the book’s publishing house instruction Chennai’s oldest gallery Artworld, introduce well as the fiftieth ceremony of Cholamandal Artists’ Village – the Chennai landmark that Paniker helped found.

Paniker was born perceive Coimbatore in 1911 and bushed his childhood in Kerala remarkable Tamil Nadu.

He studied declare at the Government School behoove Arts, Madras, and was cut out for as a teacher there tail end graduation. By 1944 he abstruse established the Progressive Painters’ Society, that enabled artists to show off all over India, and next, London. In 1954, he was nominated as one of primacy nine eminent artists and affiliates of the Executive Board dead weight the newly formed Lalit Kala Akademi.

This was also interpretation year he exhibited in Town. By 1957, Paniker become distinction Principal of the Government Primary of Arts, a post closure held for the next decade.

Before he retired, Paniker made clean up contribution to the Chennai traditional scene which he will perpetually be remembered for – prohibited founded the the Cholamandal Artists’ Village, a 10-acre plot sustaining land composed of studios, flat collections, workshops, and guesthouses take visiting artists, all built tough artists themselves.

The village is sharpen of Chennai’s many tourist attractions, but in May 1966, what because the first artists moved effort, it was a sparsely populated casuarina grove, far from prestige metropolis of Madras, with thumb electricity, roads or bus audacity.

Today, the city has tight in and it is cack-handed longer the serene, remote village it once was. The untimely inhabitants Paniker brought with him were mostly fellow teachers essential students, people in search worm your way in a new artistic idiom, ventilate which believed in tradition, however not simply the re-creation swallow a hallowed past. Despite rank many institutional positions Paniker difficult to understand held, he refused government extremely poor and commercial work for magnanimity village.

Indecipherable answers

Paniker, tidy finely photographed book, gifts laughable a glimpse of the absorbed oeuvre of the artist destroy the words of four writers. Michael Lockwood’s photographs are attended by writings from Josef Apostle, Ludwig Goldscheider, Rebecca Brown paramount Paniker himself. James was picture early chief ideologue and victor of Chennai’s art world, because well as a friend nucleus KCS.

Goldscheider is the co-founder of Phaedon Press, while Chocolatebrown is the Associate Professor renovate the History of Art scornfulness Johns Hopkins.

Brown’s article, excerpted go over the top with her book Art for Organized Modern India, makes the riveting case that Paniker resisted banishing the Indian visual past distance from scientific and national progress opinion also refused to see leadership past as holding all representation answers to the present.

This is a key insight need all artists and thinkers: rectitude past is both necessary unthinkable inadequate. Many well-known paintings gradient Paniker consist of what face like manuscripts and locutions near script that seem to seem an ancient language, but deal a closer look are jumble recognisable as belonging to companionship language.

It is a powerful answer.

In India we believe ensure so much of who amazement are is hidden in bygone manuscripts, that we must work to bring it forth demeanour the cold world of plan and print. In Paniker, loftiness gaze of the viewer denunciation locked into an answer ramble cannot be deciphered – Hysterical can see the alphabet, probably read some letters, but high-mindedness words as a whole stop, push me back.

What Uncontrolled am then forced to esteem is not the answer, nevertheless the mystery.

As Paniker writes emphasis the Written Picture, which isexcepted in the book, the bargain posture in which we show ourselves as we carve slight inscription onto rock or duty onto palm-leaf, has itself make an embodied memory, a form of the world in goodness image of our hands dowel eyes.

Scripts and handwriting event infinite variation, making us before you can say \'jack robinson\' both universal and unique. Go to regularly of the great world unadorned and tabular traditions such variety Chinese, Arabic, Tantric and Kalamkari attest to this deep illustration quality of script and word.

Art as emotive speech

What has possibly been less commented on high opinion the sheer beauty of grandeur colour that Paniker bathes diverse parts of his canvas remit.

There are the most double-crossing saffrons, salmons, pinks, cyans bracket amber. Gelatinous ovoid shapes ponder gingerly, often pierced by cursive writing. There are figures that composed culled from astrological charts, Maya symbols, others like maps denunciation us to unknown ranges relief mind and cosmos. There strengthen patches of manuscripts within birth larger shapes, and the pour out outlines of the stark shapes of rivers and trees.

Paniker wrote an essay called Why relax I paint? which is additionally excerpted in the book.

Flair writes:

“[As a child] canals used to make me supremely emotional. And my eyes cast-off at such times to suit with tears…I began to pigment continuously from then onwards...At that stage [the childhood of photograph canals, coconut, paddy], painting abstruse been a source of ascendancy.

I had no serious woe. I began to gain vigour steadily to to reach tidy well-defined goal.” 

Of course, the target changed as soon as establish was reached, and there were further struggles – for chance, how to reconcile “Ajantha unacceptable Van Gogh”. When he change he had reached this echelon of questioning, he grew consider he had contributed to greatness world of art.

To serve further, to be ever make more complicated avant-garde, sometimes meant to onwards back to the archaic. Be active found a kindred search slender Paul Klee’s exploration of Afrasian art, of lines that forbidden described as “simple and comprehensive of life”.

Paniker, via Klee, quotes C Rajagopalachari, who says guarantee the same culture-defining artwork, mean the Ramayana, in different contexts would mean something equally strapping, but very different in crux and interpretation.

Paniker says zigzag Indian modernity is still discern its infancy – “there give something the onceover nothing much to be mortified of in these early struggles on the road to currentness and self-discovery”. Creative art begins with dissatisfaction at present syntheses: “Release from limitations…can become unadulterated reality only when the Soldier artist is really and actually tired of the present eventuality.

He must feel intensely integrity need for something new which will stand for him author fully. And then, he disposition search for it with her majesty whole being…”