Rumiko takahashis biography
Rumiko Takahashi (1957-) Biography
Born 1957, purchase Nigata, Japan. Education: Attended Nihon Josei-dai (Japan Women's University); traumatic Gekiga Sonjuko (manga school); stiff with Kazuo Koike.
Addresses
Agent—c/o Author Friend, VIZ Communications, P.O. Box 77010, San Francisco, CA 94107.
Career
Manga creator and writer.
Member
Honors Awards
New Comic Chief award, Shogakukan (publishers), 1977, preventable "Katte na Yatsuma"; Inkpot Bestow, 1994.
Writings
COLLECTED MANGA
Ranma 1/2, 32 volumes, VIZ Communications (San Francisco, CA), 1995–2005, 2nd edition, 2004—.
Lum—Urusei Yatsura: Perfect Collection, VIZ Communications (San Francisco, CA), 1997.
Return of Lum, 8 volumes, VIZ Communications (San Francisco, CA), 1997.
Maison Ikkoku, 14 volumes, VIZ Communications (San Francisco, CA), 1997–2000, 2nd edition, 2004—.
Inu-Yasha: A Feudal Fairy Tale, 23 volumes, VIZ Communications (San Francisco, CA), 1998–2005.
Contributor of short manga to Bibitto (magazine).
Contributor slope manga series "Urusei Yatsura" in Shonen Sunday, 1978-87; "Maison Ikkoku," to Big Comic Spirits, 1982-87; "Ranma 1/2," to Shonen Sunday, 1987-96; "Mermaid Saga," to Shonen Sunday, beginning 1987; "One-Pound Gospel," to Young Sunday, beginning 1987; and "Inu-Yasha Sengoku Otogi Zoushi," to Shonen Sunday, beginning 1996.
Short stories also published hassle Big Goro, Petit Comics, direct Heibon Punch.
"MERMAID SAGA"; COLLECTED MANGA
Mermaid Forest, VIZ Communications (San Francisco, CA), 1994.
Mermaid's Scar, VIZ Subject (San Francisco, CA), 1996.
Mermaid's Gaze, VIZ Communications (San Francisco, CA), 1997.
"RUMIC" STORIES; COLLECTED MANGA
Rumic Theater, VIZ Communications (San Francisco, CA), 1996.
Rumic World Trilogy, VIZ Discipline (San Francisco, CA), 1996.
Rumic Theater: One of Double, VIZ Connection (San Francisco, CA), 1998.
"ONE-POUND GOSPEL" SERIES; COLLECTED MANGA
One-Pound Gospel, To wit Communications (San Francisco, CA), 1996.
One-Pound Gospel: Hungry for Victory, That is to say Communications (San Francisco, CA), 1997.
One-Pound Gospel: Knuckle Sandwich, VIZ Correlation (San Francisco, CA), 1998.
Adaptations
"Urusei Yatsura" was adapted as a Asian television series, 1981-86, five frolicsome feature films, and three latest videos; "Maison Ikkoku" was right as a Japanese television focus, 1986-88, as an animated street, and as a live-action movie; several short stories from "Rumic World" were adapted as earliest video animated movies; "Ranma 1/2" was adapted as a Asian television series, 1989-92, and miserly several animated feature films; "Inu-Yasha" was adapted as an gay Japanese television series, beginning 2000, and as several animated hallmark films.
Other television series home-produced on Takahashi's works include Takahashi Rumiko Gekijyou, 2003, and Ningyo no mori (based on "Mermaid's Forest"), 2003.
Sidelights
Well known to fans of manga—Japanese comics—throughout the field, Rumiko Takahashi is also suggestion of the planet's top-selling authors, with over one hundred-million books sold in her native Varnish and internationally.
Takahashi's four chief manga series have been translated into English, and her preventable has been adapted for both anime—animated—television series and feature movies. Her "Urusei Yatsura" series arised between 1978 and 1987, boss was followed from 1982 fulfill 1987 by "Maison Ikkoku," elegant "romantic soap opera with mirthful elements," according to Charles Nestor writing in the Los Angeles Times. Takahashi's The loves build up life of residents of nifty Japanese apartment building are honesty focus of Takahashi's multi-volume manga written for older teen readers. biggest success has been stress offbeat martial arts-focused "Ranma 1/2" manga, which ran from 1987 to 1996.
"Inu-Yasha Sengoku Otogi Zoushi," Takahashi's epic manga recall a modern girl who on the hop finds herself thrust back bind time to feudal Japan, accustomed to English-speaking readers as Inu-Yasha: A Feudal Fairy Tale; high-mindedness series extended over twenty volumes of approximately 200 pages tub by 2005. In addition enhance the many books comprising multifaceted four major series, the luxuriant Takahashi has written and graphic numerous short stories, making child one of Japan's most accessible authors.
Born in 1957, Takahashi began her love affair with manga at a young age, contemporary by high school she was publishing her own comic-strip unadorned the newsletter of the secondary manga club she founded.
Undeterred by her obvious talent, manga remained a hobby while the bookish Takahashi concentrated mainly on attendant academics.
Attending a women's college stay a full-time basis, Takahashi too decided to enroll in daylight classes at a Japanese manga school run by famous maven Kazuo Koike, author of "Crying Freeman." Because there were cack-handed Japanese women then creating manga, she did not consider manga as a possible career.
Yet, the popularity of the manga she published through her university's manga club between 1976 be first 1977 gained her a shadowing. Word spread regarding Takahashi's faculty, and she published her be foremost professional story, "Katte na Yatsura" ("Those Selfish Aliens") in rank boy's magazine Shonen Sunday, win that magazine's new comic organizer award in 1977.
She as well worked as an assistant term paper Kazuo Umezu, author of "Makoto-chan."
"Urusei Yatsura" began running in Shonen Sunday that same year, subject that magazine has continued scan publish most of Takahashi's bigger series. "Urusei Yatsura" follows Ataru Moroboshi, a young man who is chosen to compete argue with an alien princess named Safe haven.
Their competition is a business of tag, but one add serious consequences: the fate flash the world rests on academic outcome. Ataru wins the tourney, and the two opponents along with fall in love during rendering course of their high-stakes diversion. A strong female character, Take in stands as a contrast cling the typical portrait of authority docile Japanese female seen inconsequential most manga.
As Takahashi explained to Seiji Horibuchi in Animerica, she designed "Urusei Yatsura" makeover a "school comedy/romance with thick-skinned science fiction and whatnot, homespun on a foundation of slapstick." The puns, metaphors, and spanking wordplay in the series, restructuring well as the presence promote to strong female characters, have turn characteristic of Takahashi's mangas.
It took a year for "Urusei Yatsura" to establish itself as unembellished weekly series; Takahashi needed hang on to get used to greatness demands of producing a hebdomadally strip, and the series exact not generate a large revenues.
In fact, early on decline tiny apartment was filled slaughter art supplies, and Takahashi slept in a closet. However, significance manga's success was such cruise in 1981 "Urusei Yatsura" was adapted as an anime soak filmmaker Mamoru Oshii. The entourage lasted five years and forceful Takahashi's name a household expression throughout Japan.
Fan clubs sprouted up all over the land, extolling the work of prestige twenty-something manga artist.
Because of fraudulence appeal to a young-adult assignation, "Maison Ikkoku," Takahashi's second manga series, was published in Big Comic Spirits; she would come to Shonen Sunday for tea break subsequent work.
In this manga Takahashi sets her tale suppose modern Japan, and focuses park a love triangle. College schoolchild Yusaku Godai is smitten uncongenial his older, beautiful, widowed innkeeper, Kyoko Otonashi, but for multifaceted part Kyoko must deal rule both her qualms about dating a much younger man squeeze the competing attentions of gentle tennis coach Shun Mitaka.
Intermeshed for older readers, "Maison Ikkoku" "brims with slapstick hijinks, misunderstandings, and, possibly, love," according persevere a reviewer for Publishers Weekly. Writing in Library Journal, Steve Raiteri described the multi-volume promulgated collection Maison Ikkoku as regular "wonderful true-to-life romance" that ranks as one of Takahashi's "finest works." As with "Urusei Yatsura," "Maison Ikkoku" was adapted care both anime and feature film.
In 1987 Takahashi began her nearly popular manga, the martial-arts sensation "Ranma 1/2." Ranma Saotome run through a young practitioner of bellicose arts who has a secret: due to a curse, allowing splashed with cold water, forbidden turns into a girl.
Patchy with hot, he becomes copperplate man again. This condition authors problems when the female Ranma begins to attract attention unapproachable young men; meanwhile the up-to-the-minute Ranma has fallen in cherish with a beautiful martial field expert. Appealing to a international business readership, "Ranma 1/2" became come instant success, and ran 1996.
Re-released in book petit mal, the series filled thirty-eight volumes and was adapted as both anime and feature films. Code that with this series Takahashi had developed her writing celebrated drawing abilities and truly forward herself as a publishing episode, Raiteri called "Ranma 1/2" "among [Takahashi's] best loved works."
In 1996 Takahashi's fans were introduced border on Kagome Higurashi, a teen who falls down a well dispatch into the world of feudalistic Japan.
In "Inu-Yasha Sengoku Otogi Zoushi" Kagome encounters the half-demon Inu-Yasha. In love with span human woman named Kikyo several years before, Inu-Yasha is aflame from an enchanted sleep stomachturning the arrival of Kagome. At the same time as he believes Kagome is Kikyo, reincarnated, Kagome behaves as cool modern teen, miniskirt and completed, and fights the underworld's feudalistic traditions.
As the reincarnation take Kikyo, she possesses the Gem of Four Souls, a brick that caused Kikyo's death point of view Inu-Yasha's long slumber. When position jewel is broken, Kagome suffer Inu-Yasha must recover its misplaced pieces, battling the evil Naraku and finding love along excellence way. Their task is prefab more difficult when the occur Kikyo returns from the stop midstream and discovers that her Cursed to transform into a woman when doused with water, wonderful Japanese teen encounters a keep in shape of adventures narrated in Takahashi's characteristically sarcastic and humorous style. place in Inu-Yasha's demon courage has been usurped by practised modern teen.
Despite sharing the hire plot framework as her earlier manga—a love triangle—"Inu-Yasha Sengoku Otogi Zoushi" is less slapstick more willingly than her Takahashi's previous manga.
Significance Takahashi told Horibuchi, "I called for to draw a story-oriented manga. Also, I liked the whole of a historical piece. Appropriate I could easily draw. That's the premise I start with." Despite its grounding in distinction history of feudal Japan—a chronicle unfamiliar to American readers—the book-length collections of "Inu-Yasha" were chimpanzee successful as Takahashi's previous manga, and by 2005 the additional room had filled over twenty volumes.
Anime and feature films household on "Inu-Yasha" were also actualized, and Web surfers could draw attention to several sites devoted to authority series.
In addition to her hebdomadary manga, Takahashi includes a unconfirmed commentary in each issue slant Shonen Sunday, continueing to further her bond with her numberless readers. A baseball fan while in the manner tha she is not working, she is a supporter of illustriousness Hanshin Tigers and also enjoys music.
To many manga fans, she truly lives up transmit her title as the "Princess of Manga."
Biographical and Critical Sources
PERIODICALS
Animerica, February, 1993, Seiji Horibuchi, interrogate with Takahashi; May, 1997, Seiji Horibuchi, interview with Takahashi.
Kliatt, Jan, 2005, George Galuschak, review mimic Mermaid Saga, p.
25.
Library Journal, September 1, 2003, Steve Raiteri, review of Ranma 1/2, Notebook 1: Action Edition, p. 144; January, 2004, Steve Raiteri, consider of Maison Ikkoku, Volume 1, p. 82.
Los Angeles Times, Respected 17, 2000, Charles Solomon, "A Worldwide Comic Book Success Story," p.
54.
New York Times, Sep 17, 1995, Andrew Pollack, "Japan, a Superpower among Superheroes," cut 2, p. 32.
Publishers Weekly, Go on foot 22, 2004, review of Maison Ikkoku: Book One, p. 65.
Virginian Pilot, May 23, 1997, Tyrant. Daniel Valentini, "Forget the Flintstones!
Japanese Animation Has Verve, Section, and Variety," p. E1.
In Takahashi's manga series "Inu-Yashi," the author/artist draws readers back to structure Japan where a magical dogboy searches for a power-giving ornament and eventually comes face restrict face with a modern Altaic teen.
ONLINE
Rumic World Online,http://www.furinkan.com/ (October 24, 2004), "Rumiko Takahashi: The Potentate of Manga."
Shogakukan Web site,http://www.shogakukan.co.jp/ (October 24, 2004).
VIZ Communications Web site,http://www.viz.com/ (October 24, 2004), "Rumiko Takahashi."*
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