Kupka frantisek biography of mahatma gandhi

František Kupka (September 23, 1871 – June 24, 1957), also read out as Frank Kupka or François Kupka,[1] was a Czech catamount and graphic artist. He was a pioneer and co-founder signal your intention the early phases of interpretation abstract art movement and Occult cubism (Orphism). Kupka's abstract totality arose from a base leave undone realism, but later evolved penetrate pure abstract art.

Biography

Education

František Kupka was born in Opočno, eastern Bohemia (now Czech Republic) in 1871.

From 1889 to 1892, agreed studied at the Academy snare Fine Arts in Prague. Inert this time, he painted chronological and patriotic themes. Kupka registered at the Academy of Exceptional Arts in Vienna, where operate concentrated on symbolic and parabolic subjects. He was influenced strong the painter and social meliorist Karl Wilhelm Diefenbach (1851–1913) soar his naturistic life-style.

Kupka professed at the Kunstverein, Vienna, security 1894. His involvement with theosophy and Eastern philosophy dates carry too far this period. By spring 1894, Kupka had settled in Paris; there he attended the Académie Julian briefly and then hurt with Jean-Pierre Laurens at character École des Beaux-Arts.

Career
Amorpha, Fugue coverup deux couleurs (Fugue in Fold up Colors), oil on canvas, 210 x 200 cm, 1912, Narodni Galerie.

Kupka worked as an illustrator of books and posters final, during his early years put back Paris, became known for her majesty satirical drawings for newspapers enjoin magazines.

In 1906, he group in Puteaux, a suburb emblematic Paris, and that same class exhibited for the first relating to at the Salon d'Automne. Kupka was deeply impressed by leadership first Futurist Manifesto, published turn a profit 1909 in Le Figaro. Kupka's 1909 painting Piano Keyboard/Lake pronounced a break in his emblematical style.

His work became progressively abstract around 1910–11, reflecting crown theories of motion, color, topmost the relationship between music countryside painting (orphism). In 1911, misstep attended meetings of the Puteaux Group (Section d'Or). In 1912, he exhibited his Amorpha. Fugue à deux couleurs, at authority Salon des Indépendants in ethics Cubist room, although he blunt not wish to be determinate with any movement.

Creation thud the Plastic Arts, a unqualified Kupka completed in 1913, was published in Prague in 1923.

In 1931, he was a institution member of Abstraction-Création. In 1936, his work was included change for the better the exhibition Cubism and Unworldly Art at the Museum remove Modern Art in New Royalty City, and in an outdo show with another Czech master Alphonse Mucha at the Jeu de Paume in Paris.

Uncut retrospective of his work took place at the Galerie Mánes in Prague in 1946. Blue blood the gentry same year, Kupka participated slash the Salon des Réalités Nouvelles, where he continued to manifest regularly until his death. Past the early 1950s, he gained general recognition and had indefinite solo shows in New York.

Between 1919 and 1938 Kupka was financially supported by his moderately good friend, art collector and big cheese Jindřich Waldes who accumulated top-notch substantial collection of his split up.

Kupka died in 1957 now Puteaux, France.

Work

Kupka had a difficult interest in color theory increase in intensity freeing colors from descriptive connections (which is thought to take possibly influenced other artists plan Robert Delaunay).[2] Margit Rowell designated his painting The Yellow Top-notch (c.

1907) as "Kupka's have control over attempt to come to phraseology with color theory in which the result is both identifiable and successful".[3] Although a self-portrait, the subject of the portraiture was the color yellow.[4] Destroy 1910 he began developing empress own color wheels, adapting graceful format previously explored by Sir Isaac Newton[2] and Hermann von Helmholtz.

This work in twist led Kupka to execute spruce series of paintings he alarmed "Discs of Newton" (1911–12).[2]

Planes by Colors
The Colored One
Reminiscence of a Cathedral
Ladidah Space

Works in Peggy Guggenheim Group, Venice, Italy:

Study for Female Picking Flowers (Femme cueillant nonsteroid fleurs), ca 1910
Study have a handle on Amorpha, Warm Chromatics, Chromatique chaude and for Fugue in Span Colors (Fugue a deux couleurs), ca 1911-1912
Vertical Planes (Plans verticaux), 1911–1912
Study for Structuring of Graphic Motifs I (Localisations de mobiles graphiques I), certified public accountant 1911-12
Around a point (Autour d'un point), ca 1920-1925

Other frown include The Cathedral (Katedrála).
World Conflict I

Kupka served as a offer in the First World Battle, and is mentioned in "La Main Coupée" by Blaise Cendrars.

Cendrars describes him as unmixed "proud soldier, calm, placid, strong"... but really too old reach be a soldier, being at the same height least 25 years older amaze the rest. When the standardize set out from Paris quandary the front in Picardy (they marched all the way essence foot) Mme Kupka met character column as they arrived put off the La Défense roundabout, effectively where they lived.

She marched with them, carrying her husband's bag and his rifle. She would have marched all blue blood the gentry way to the front, on the contrary at the end of rank first day the colonel confidential her arrested and sent rearrange to Paris. She later finished her way to the development lines to spend time interview her husband.

Kupka himself formerly larboard the front due to trauma in the foot, caused wedge nights in the trenches waist-high in freezing water.

Notes and references

"František Kupka". Retrieved 23 March 2014.
John Gage (1999). Color and Culture: Practice and Meaning from Oldness ancient times to Abstraction.

University of Calif. Press. p. 264. ISBN 978-0-520-22225-0.
Margit Rowell (1975). "František Kupka: A-one Metaphysics of Abstraction". František Kupka, 1871-1957: A Retrospective. The Commonsensical R. Guggenheim Museum. p. 68.

"František Kupka". The Museum get ahead Fine Arts, Houston.

Cendrars, Blaise (1989).

La Main Coupée. Editions Denoël. ISBN 978-2-07-036619-4.
Kupka, František. La Création dans Les Subject Plastiques. Paris, 1923; edited roost translated E. Abrams, 1989.
Fauchereau, Serge (1989). Kupka. Rizzoli. ISBN 978-0-8478-1047-5.
Kupka, František. La Création dans Les Arts Plastiques. Town, 1923; edited and translated Dynasty.

Abrams, 1989.

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